Johnson also believed that an edition of Shakespeare could provide him with the income and recognition that he needed. To correct these problems, Johnson believed that the original works would need to be examined, and this became an issue in his Proposal. He believed that this was because 'The style of Shakespeare was in itself perplexed, ungrammatical, and obscure'. įurthermore, Johnson believed that later editors both misunderstood the historical context of Shakespeare and his plays, and underestimated the degree of textual corruption that the plays exhibit. Instead, Johnson believed that the reader of Shakespeare was the true audience of the play.

Īlthough Johnson was friends with actors such as David Garrick who had performed Shakespeare onstage, he did not believe that performance was vital to the plays, nor did he ever acknowledge the presence of an audience as a factor in the reception of the work. Were transcribed for the players by those who may be supposed to have seldom understood them they were transmitted by copiers equally unskillful, who still multiplied errors they were perhaps sometimes mutilated by the actors, for the sake of shortening the speeches and were at last printed without correction of the press. He believed that they lacked authoritativeness, because they:

Johnson came to believe that there was a problem with the collections of Shakespearean plays that were available during his lifetime. Johnson's fascination with Shakespeare continued throughout his life, and Johnson focused his time on Shakespeare's plays while preparing A Dictionary of the English Language, so it is no wonder that Shakespeare is the most quoted author in it. He would involve himself so closely with the plays that he was once terrified by the Ghost in Hamlet and had to 'have people about him'.

Johnson began reading Shakespeare's plays and poetry when he was a young boy.

All the plays of william shakespeare